Emily Blunt, Colman Domingo, and Josh O'Connor share how their perspectives on extra-terrestrials and unidentified anomalous phenomena (UAPs) have changed since working on "Disclosure Day."

It's an invigorating chase thriller, but where Spielberg once seemed to be leading the culture, he's now following decades of lore and mythology.

What Roy Mauritsen remembers about seeing Steven Spielberg’s "Close Encounters of the Third Kind" as a boy is the looming shape of Devils Tower. For a kid growing up in Suffolk County, the peculiarly flat-topped rock formation in Wyoming — which serves as the site of a mind-boggling meeting between mankind and alien-kind — was a mysterious and mesmerizing image.

As a child, Steven Spielberg stared at a meteor shower and began his love affair with the sky. The director of the 1977 classic "Close Encounters of the Third Kind" returns with "Disclosure Day," which imagines closely-held secrets surrounding alien visitations.

Steven Spielberg returns to UFO territory with Disclosure Day – but its scale and tone make it the antithesis of Close Encounters. Spoilers ahead. NB: This is your final warning for major Disclosure Day spoilers.

With Steven Spielberg’s new extraterrestrial film Disclosure Day just out, it’s the ideal time to watch Close Encounter of the Third Kind – perhaps the perfect UFO film, says film columnist Bethan Ack

The legendary director says he's still waiting for his own alien encounter.

The release of the film comes amid the release of numerous UFO files from the US government over the last few months.

Steven Spielberg’s fourth film about alien encounters is “Disclosure Day,” following “ET: The Extra-Terrestrial,” “War of the Worlds,” and “Close Encounters of the Third Kind.” That inspired us to take another look at what Roger Ebert thought about some of the most famous and infamous alien movies,